Thursday, April 18, 2019

Fine Craft is what I do

 I want to make sure to clarify my sculptures are not functional, and until recently I cringed at being labeled as craft; but I create all my work by hand therefore fine craft it is. I chose what I do and where I show because of the contemporary element that resonated with my work, the present day direction embracing, promoting, and trumpeting the sustainable movement in the art world. In this current economy where we are at odds with where we are going with global warming my art genre is in greatly appreciated. 

I am by no means the only artist championing sustainability or recycled materials in my work, I am but one of many, but I think my work is fabulous, I have grown my skill for the past ten years to what it is today, manipulating paper with perfection, injecting other found object, using resin in some and creating a variety of shapes and sizes to render the object that much more alluring. My sculptures have a myriad of dimensionality and facets that keep a viewer mesmerized in the discovery of them all. 

My work is made entirely with repurposed, recycled, salvaged or up cycled materials, all of them have some assemblage component where the materials used have been saved from their inevitable path to the landfill, my work, like all other sustainable works clamors attention to the incredible disregard to our wasteful actions. Most people don’t stop to think "I am but one person throwing this away"… "What does it look like multiplied by the worlds population?!?"


I do understand the issue with Craft vs. Art and I struggled for a while trying desperately to distance myself from any whiff of craftiness to my work because I found that word disparaging, but in truth craft was in the past a good word, it meant hand made, it meant manipulated it insinuated ability, adeptness, artistry, cleverness, competence and ingenuity. Now it smacks of pedestrianism, banality, commonplace and inane. I want us to take back the word craft, and link it with mastery in such a way that collectors won’t turn their noses up at.

This said, my sculptures are not bowls, baskets or vessels, the shape in some might elude to something like that but they are all different, take Chasing DreamsVictoria and Freedom of Expression, those are far from resembling anything vaguely familiar to a functional element. 


I thank you for giving me the opportunity to clarify my work, I don’t usually get the chance to sit down and speak of my work with such candor, nor the opportunity to look at my work with a new set of eyes, ones that I am trying to impress. I am your typical artist, constantly fighting with the ego and the alter one telling me my work is not good enough when facing an idol, the other telling me I don’t need to explain for the work should speak for itself. Then there is that moment, when the two of them meet in the middle and take are real good look at the work, like seeing it for the first time… This was that time. I thank you for giving me that moment, for I do love my work, but I am always busy making it, loving every second of the process, hearing the heavenly sounds in my brain when I am done, and then I move onto the next thing, right away, without pause, and never really taking  the time to sit with any of it, for I am far too busy to sit and enjoy. I took a good look at it today, as if seeing it for the first time, it took my breath away at how amazing it looks.


Monday, March 25, 2019

Athena - paper coil assemblage sculpture

Athena

Recycled paper coil assemblage sculpture






my fist black and white sculpture made with recycled shopping receipts and magazine pages, Time magazine is my favorite one to use for black and white sculptures because most of the magazine is about articles business and innovation, culture and humanitarian issues no frills, no fluff. This magazine gives me the most for these sculptures. 
Athena measures 18" tall x 16" wide x 15" deep
Athena was completed in November 2018





Freedom Of Expression - recycled magazine paper assemblage sculpture

Freedom Of Expression

recycled magazine paper assemblage sculpture
Freedom Of Expression measures 14”x18”x14”
completed on December 2017

A World of Keurig - delving into the making of Recycled Art

A World of Keurig

In 2012 I met a man who happen to like keeping up with the trends and get the latest little gadget. He lived alone and had no one to care for, his kids were all grown up and such. He showed me this amazing coffee maker (according to him) it wasn't a Keurrig, it was another brand but with the same selfish, convenient, disposable, money wasting machine!! I was a bit disappointed, every time I run into someone who invests into something that is purely based on convenience disappoints me, you know, the coffee is just ok, but they lie to themselves and say it is delicious for convenience ALWAYS wins. He proudly invited me to a coffee, telling me how good it was. I accepted... it wasn't good, it was average. My mind was also thinking on all that plastic... hot water on plastic.. can't be too good. Plus the waste, oh the waste! And that was early on, 2012, we were not yet at the unimaginable waste stats we have now (if you line up all the k-cups used to date you could circle earth 10 times????) Whaaaaat? that is unfathomable!!! In the name of convenience we are killing ourselves and suffocating the earth with our trash!!! At the time, I recycled all of his  plastic coffee dispensers, peeled the aluminum label off, scooped the coffee out which I composted (did you know coffee is the natural repellant for ants? they hate the smell). I cleaned the plastic and the coffee filter and saved both. I saved them for about one year and had enough material to create a couple of pieces I am incredibly proud of. 
I used the coffee filters to create the gathered frill for my coffee bean bag dress in 2015 
 
and created a stand for my work that I have used in many shows and is not permanently in my home because I absolutely LOVE it. The love is bitter sweet for I know that the small amount of plastic dispensers are a drop in the bucket. Fortunately my friend chose to buy 






making of Chasing Dreams II



Chasing Dreams II

I already had the idea stewing in my brain before I even set up to create CDII I wanted to make a series for Chasing Dreams a variety of sizes and styles, forms shapes, but since each piece takes so darn long I am but at two for now. As I was working on this particular piece I was already devising my next one and my next one and so I had three I was working on simultaneously, the new idea being, color coordinating the coils, I had a green one, a red one and a blue all going at the same time as CDII. I finished CDII, then finally finished "Green" and put "Red" and "Blue" on hold as I am working on a relatively large Environmental installation due Feb 27.
What I have discovered from my new twist on things is that color coordinating the coils slows me down considerably for I leave the natural print of the magazine come through and determine the color of the coil... well all the pages are different colors so now I have to wait and make a ton more coils to separate and color code... not fun. I think I'll go back to using the coils as they come and stop waiting and sorting them.
Add to all this the fact that I have to randomly choose strips of paper to create the ring coils, fill some with resin some without, some with added found objects, this process is a grueling one.
Chasing Dreams took an extra long time for I had to stop and create coils to fit the puzzle and because of the various distractions (green, red & blue for one) I calculated it took me three months to puzzle this one...



Saturday, March 2, 2019

Great Barrier Installation @ Tapp's Arts Center

I was the recipient of the Tapp's Arts Center residency in Spring 2017!   
It was an amazing experience!!! 


Being an environmental trash artist, focusing on a variety of discarded materials, it is only natural that all environmental issues make their way into my peripheral orb, I have seen “Plastic Paradise” & “Chasing Coral” documentaries. People tag me on social media with issues on waste and recycling issues focusing on plastic and paper. I am active in a variety of local environmental groups, so my progression of things was only natural to arrive to this installation; the Great Barrier” the accumulation of plastic, the incredible waste we create on a daily basis deeply disturbed me, coupled with a project I got involved in shortly before my installation idea, working with the Columbia Bedroll project from the homeless, creating bed rolls from plastic shopping bags. I was motivated to ignite several community- based recycling projects aimed at reclaiming material and redefining the meaning of trash.

view of the 40' hall that runs down the center of the building
closeup of a coral made with styrofoam cups and dandelion branches
I collected materials from my community and soldered plastic cups and Styrofoam together to create urchin like installations, I was given branches, chopsticks, plastic utensils gathered form events, keurrig k-cup pods I had to clean and glue together. My husband and I cut and pulled plastic bags into kelp shapes, he helped me cut small strips of plastic and tie them into 80' seaweed vines. He helped me make approximately 200 paper mache` spheres we glued together into clusters to resemble barnacle clusters.
Barnacle clusters hanging on the wall
We recycled approximately 200 feet of white paper used to cover up the windows to unveil new shows, and tore them into manageable pieces to twist and turn them into coral branches. 
My beloved husband, proofer, helper, supporter came up with the idea to light the installation from within with corded lights, he also had some lightbulbs that turn and cast a light that resembles ripping water and bought a deep ocean sound effect so the immersive experience was a true experience, amazing and awes trucking.
Three months of intense recycling, cleaning, cutting, gluing, tearing twisting, we worked 12 hour days for three months to create this incredible work, and it was worth every second! I love coming up with ideas, making things work, I know my husband loves it too for he works side by side with me and knows what to do. 
The Great Barrier, was first installed as a 46-foot-long barrier reef constructed from cups, plastic bags, and other detritus collected during my three month residency at Tapp’s Art Center in Columbia. The Great Barrier was in display for one month from Aug 3rd  - Sept 2nd awing locals with this incredible experience...
We lucked out and received some Styrofoam packing sheet we tore into small strips, cut fringes on one side and rolled them tight and let the fringe open up into what looks like sea anemones. 
After the show at Tapp's I submitted this installation to the prestigious ArtFields 2018 and got in!! 

Friday, March 1, 2019

Anthusai - An Alternative Storytellers view

My story is about the inevitable evolution of what I do, where I have been, the slow progression of my growth about making changes in my own life. I have lived by my sustainable and recycling premise, I have been recycling since for ever, always recycling discarded materials into something new, not because I heard we were headed where we are at today, not because I got whiff of it becoming the in thing one day but because I could NEVER understand why things were being tossed when they still had life in them or the potential of a rebirth. My family would throw away perfectly good wooden and metal boxes, bottles, clothing, broken jewelry and so on, I would take them all and paint them, collage, meld, mold, cut and inject new life in them. 

Plasticine Porters  is about the pressing issue at hand today; Climate Change and the damage we are doing to the planet with single use plastic in particular. It is becoming so pervasive it's in everything, everyone, everywhere. I am attempting to shine a light to how we are altering everything in the name of progress, convenience and the speed in which we live, and create images of what nature might look like in the future adapting and living with the waste we are creating. Some vegetation will disappear like some animal species and some will adapt and evolve with the poison. 


Anthusai is my first survivor, a standing testament to the future, to what we are inevitably causing with global warming and the amount to plastic waste. She is the metamorphosis or genetic mutation of nature infused with plastic. The body is made with willow branches harvested from the river walk by the rangers clearing the overgrowth. I added a paper mache` skin and a ruffle of willow tips. Topped it with a ruffling of dryer sheet to give it the intended trifecta blend. 

Did you know that the original banana tree has been wiped out by an invasive disease? the Bananas we eat today are from a completely different banana plant. In the 1950s, various fungal plagues (most notably Panama disease) devastated banana crops. By the 1960s, the Gros Michel was effectively extinct, in terms of large scale growing and selling. Enter: the Cavendish, a banana cultivar resistant to the fungal plague. It's the banana that we eat today. There is no understanding where or how the disease started but it wiped out that species entirely. 
dryer sheet are made with polyester (PET) sheets that's been covered in a fabric softener chemical and, usually, fragrance chemicals.
Fragrances in Fabric Softeners can include tens to hundreds of different chemicals, some of which are toxic, and many of which are known allergens, like limonene and linalool
Dryer sheets can contain volatile organic compounds like acetaldehyde and butane, which can cause respiratory irritation.
Quats, a fabric softener chemical, is often part of a family of chemicals called quaternary ammonium compounds, many of which are linked to asthma. Acetone, used in dryer sheets, can cause nervous system effects like headaches or dizziness.

Thursday, February 28, 2019

Beauty In Bloom - paper coil assemblage sculpture with resin


If you analyze my work you will notice all of them are a first, and all of them have a common thread, you can almost visualize the new idea take form in one and adopted at a larger scale in my next. Beauty In Bloom is a sculpture where I added color to the paper that had little color. My past coils were made with recycled magazine paper in its original state, refusing to alter it at all for the sake of keeping it organic, humble, in the nature of the gift. Someone hinted adding color and I tried some in a couple of coils in my last piece, and decided why not make one entirely out of altered paper, why not make one also our of magazine quills instead of coils and why not create the base with resin??? So Beauty In Bloom has three firsts, I sometimes am impatient with my new ventures and can't pace myself. 
Of course it took longer than ever to make this one, but again, I sit and do as I watch TV or better, get the TV to distract me from menial or constant tasks. If I had to do this work without background fodder I thing I would go mad with all the noise in my head, JK, it's me rehashign my life by myself, wondering all the what ifs of life, or new ideas exploding in my head which cause me to go on overload creatively.  
this is the base with coils trapped in resin
 
Beauty In Bloom was completed her in September 2018
Beauty in Bloom measures 9.5”x16.5”x16.5”